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I know from calls and emails I receive that many of you are interested in the detail of how your images are scanned - so here it is...but remember if you need something different, let me know and I'll try to help.

When your order arrives, we check your instructions and send a confirmation email if you provide your email address.

Each original is loaded into the appropriate Imacon Flextight film holder - there is dedicated holder for each format and size. The surfaces are gently blown with a air blower (not an aerosol) to remove dust and then loaded into the scanner and a preview is created. Working from the preview, a range of scanning parameters are set to acheive a neutral, well exposed scan with maximum shadow and highlight information.

The image is cropped as close to the film rebate as possible - but please note there may be a very small loss of image area due to the way the film holders work and the format of the film

The scan is then made with no sharpening and a tiff file saved to disk. All scanning and post-scan editing is done in 16-bit, the result being saved to an 8-bit file at the end where this is needed. This means that data integrity is maximised throughout the process.

The scan is checked for colour accuracy and density against the original viewed on an industry standard 5000°K daylight balance lightbox and any adjustments made. (With negative film where there is no visual reference so colour is set by eye and any obvious casts removed to produce a pleasing image.)
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